April 16, 2012: Table Mountain, Oroville

 
North Table Mountain Reserve looks down on the town of Oroville and its man-made lake, about an hour-and-a-half drive north of Sacramento on I-5, CA 99, and CA 70. A few minutes north of Sacramento the bustling post-rush-hour traffic thins out quite a bit and from then on I encounter mostly farm vehicles—pickup trucks and lumbering field contraptions. Now I can see that I am out in the middle of California's perfectly flat Central Valley. Orchards and seemingly empty fields stretch in all directions. Soon, over to the east on this hazy morning, the outline of the snow-capped Sierras begins to emerge.
 
The reserve sits on the top of an ancient basalt mesa reached via a narrow, winding six-mile road. No signs along the highway, in town, or at the turnoff at Cherokee Road. No signs at the reserve itself, just about fifty parked vehicles and half a dozen porta-potties. The reserve is fenced with barbed wire, but at the parking area several stiles allow easy access.
 
I don’t understand the hydrology of a mesa, but rivulets, streams, and vernal pools crisscross the land. Piles, sheets, and mini mountain ranges of black basalt sometimes make walking difficult. The reserve looks flat, but as I walk I encounter gullies, ravines, and canyons, as well as a noisy waterfall. Many miles to the west, out of the mist shimmers the ghostly bulk of Sutter Buttes, a menacing, forbidding-looking jumble of rock rising straight out of the valley floor.
 
I wander at will across the trackless expanse of the mesa and, despite the number of cars at the entrance, I most often find myself alone as far as I can see, alone with myriad wildflowers. Thousands of white meadowfoam inhabit the wetter areas, some even in the middle of streams. Blankets of Lobb’s poppy, a tiny version of our familiar California poppy, spread over acres. Goldfields and blennosperma add their varieties of yellow to the color scheme. Blue dicks and lupines, pink checkerblooms, white popcorn flowers grow in between the yellows, most in great profusion. I find startlingly red Kellogg’s monkey flowers at the bottom of a pile of black rock. Dwarf cliff sedums seem perfectly happy on the otherwise bare rock and nearby grows a lovely little pink and white onion.
 
So there you have it, an unusual landform, with an unusual collection of plant life, in an unusual year. You have to arrive there within a narrow window of time; in a few weeks it will be a brown California grassland. But I found it, as did at least a hundred other people on that windy April day, and to each of us it was as if it belonged to us alone.
 
North Table Mountain Reserve
 
Kellogg's monkey flower
 
Ancient basalt and this year's wildflowers
 
Pink-flowered wild onion

March 14, 2012: A Payne’s-Taking Day


Are you ready for something completely different? With all the rain this week I have not been able to go out for a long hike. Instead, two friends and I drove to Sacramento to spend a good part of Wednesday at the Crocker Art Museum. Barbara is a painter and Sonja is a tapestry weaver and both were high school art teachers in their former lives; I’m a wannabe pastel artist. We occasionally (not often enough) visit local art museums together and a few years ago spent three days museum-hopping in Los Angeles—a fabulous trip. We also visited Chicago together for a splendid week of art and architecture viewing.
What brought us to the Crocker Art Museum was not only its comprehensive collection of the California Impressionists and the delightfully colorful works of Wayne Thiebaud, but also a special exhibition of the oil paintings and drawings of Edgar Payne, who painted the mountains and lakes of the Eastern Sierra and the mesas and canyons of the Southwest, most of them done in the 1920s and 1930s. I especially love his paintings of Canyon de Chelly, which I visited many years ago on a memorable, bone-chilling winter day, and those of Sierra lakes Ediza and Sabrina where I have hiked more recently. Payne lived for a time at Laguna Beach and did wonderful paintings of the crashing surf in that area and of the mountains of southern California. One, titled Capistrano Canyon, looks almost exactly like Mt. Burdell in Novato where I hiked last week—steep green hills covered with oaks.
A big surprise was learning of the artist’s travels by Model T Ford through Europe between the wars and the selection of his paintings of French and Italian fishing boats. Payne does water beautifully, and the big, billowy sails, which he painted with a good deal of orange, remind me of those big, billowy canyon walls that dominate his works of the American West. Part of the exhibition was a continuously playing film Payne made about hiking, horseback riding, and painting in the Sierras, mostly around Big Pine Canyon near Bishop. I now have the desire to explore that area more thoroughly. Perhaps I’ll bring a little watercolor kit with me.
Edgar Payne wrote the book on composition, and I mean that literally. His book, titled Composition of Outdoor Painting, is a classic that hasn’t been out of print since it was published in 1941. It includes some color reproductions of his paintings as well as a couple of pages of exercises illustrating his color theories. Of course I had to buy it, as well as the hefty exhibition catalog, at the well-stocked bookstore.
The Crocker Art Museum, dating from 1885, is the longest continuously operating art museum in the West. It completed a major expansion in 2010, and this was my first visit to this new light and airy building. It’s close to I-5 in Downtown Sacramento and easy to drive to, with plenty of parking nearby. Everyone at the Crocker was so helpful, cheerful, and welcoming, and our lunch at the ground floor café was so delicious that we’ve decided to return soon.
One of the things I really like about this museum is that many of those cards posted next to the paintings have not only the usual info about date, place, and ownership, but also a section called Look For. For instance, “Look For: the lines in the painting [an artist’s self-portrait] all point to the artist’s face.” These hints result in aha moments that you want to share with others in the gallery.
If I can’t actually be out walking around in the mountains and forests of California, the next best thing is to be surrounded by paintings of them. I’m inspired to get to my easel and turn out some art works of my own, and I have already made Tioga Pass plans for this summer. I’m sure I’ll be walking on some of the same trails that Edgar Payne trod.

February 17, 2012: Horse Trail-Old Pine Trail Loop

The promise of a sunny, warm day leads me back to Horse Trail after about four months. As has happened on my hikes for the past couple of rainless months, I find few wildflowers. Milkmaids, pristine white in the shade of Douglas-fir and bay trees, are the most I come across. I also see a few stray forget-me-nots, one tiny blue flax, some deep purple and a few pale lavender irises, a tiny self-heal buried in a bunch of leaves, one gorgeous red salmonberry flower, and a few white blossoms on miner’s lettuce. On Bear Valley Trail, heading back to the parking lot, there are lots of English daisies, a gathering of Siberian montia in a wet spot, and yellow mustard. Many years Bear Valley Trail in February is bordered by thousands upon thousands of electric-blue forget-me-nots. This year there’s lots of foliage but no blooms yet. And I don’t see a single orange sticky monkey flower bush all day. A few dead Doug-firs have fallen down over the trails; one has been chopped up and piled to the side, the others I have to climb over. The forest is very birdy today, with lots of joyous singing, mostly winter wrens. I meet a number of deer prancing crossing the trail, many more than usual. One part of the route reminds me of Snow White’s evil woods, with branches hung with long fingers of gray-green lichens and deep shadows everywhere. In more open parts the elderberries are leafing out, as are the blackberries and baccharis shrubs. On Sky Trail several bright pink currant bushes light up the woods. I catch sight of a song sparrow taking a splashy bath in one of the many mud puddles along the way. I see no humans until I come back down Old Pine Trail and join Bear Valley Trail. It's a nice, peaceful day.
 
Milkmaids